![]() I was really looking forward to seeing his work, being pretty unfamiliar with it in the flesh and not really having seen much even in reproduction since the late 60s. This is where I find myself with Richard Tuttle’s show. When I say art has to engage us I would normally exclude irritation caused by the artwork’s failure to engage with the viewer. It may just say, “Seen one of these? Nice isn’t it?” What art might cause doesn’t have to be grand or deep, but it has to engage us. It may inform us about the world, tell us how things sit with things, communicate in visual poetry. It may ask us what we are really seeing, it may ask us what we are really thinking. Art might cause awe or disgust, amusement or puzzlement, fury or delight, relaxation or invigoration. Art should cause some kind of reaction in the viewer: it might challenge our views, make us look at things in a fresh way, ask us to look rather than just see. So in what ways might art engage the viewer? Broadly, for me, it comes down to the emotions and the intellect, ideally art would engage me with a balance of both. Not that decoration and decorative elements cannot be part of art, but I would expect such elements to be present to help convey content not be content. When it ceases to do so it becomes decoration at best. What is art for? What is it meant to do? In particular I am thinking about modern visual art art since the point when the camera freed artists from the tyranny of representation art principally from westernised culture.Īrt must engage the viewer in some way. I came away from the Tuttle wondering why he is rated as highly as he is.īut this had caused me to ponder some more about the nature of art. ![]() I came away from the Kiefer with questions and emotions and a deepened respect for the artist. In some ways I was disappointed with both exhibitions. Today I’ve been to two London shows, a Anselm Kiefer at the Royal Academy and Richard Tuttle at the Whitechapel. I always find it’s useful to go to major exhibitions – especially retrospectives – to help my understanding of what art it’s about, what art should do. Private view Saturday 12th March 12-2.30pm. I didn’t do a collage but I wrote the poem, “Something Like Francesca Did”, which you can read on the Scissors & Glue blogįor Every Cloud, Bow Street. Francesca had brought in a complex, highly textured collage she had created. I had been working with a mental health peer support group, incorporating creative writing and art, and on one occasion someone suggested our “homework” should be “something like Francesca did”. Scissors and Glue comes from a light-hearted ditty I wrote covering the art history of collage. A representative selection of these works is being shown at For Every Cloud here and the full 365 can be seen in the gallery. Not everyone finished the task, though I am pleased to say that some did including me. Printed and photographic elements 145mm x 227mmīefore long there were 9 of us round the world using the hashtag #Collage365, posting a collage a day and encouraging each other. But immediately I took each piece very seriously and although I did soon settle on a small size, 6″ x 9″, I wasn’t successful with the quick! Patti’s criteria were “a small collage a day, every day for a year…abstract, mixed media, bits of paper & scribbles.” At first I did not confine myself to a particular size and I wasn’t so sure about only abstract or just bits of paper! My definition of collage was pretty loose: paper, scissors and glue was normally involved and daubing and scribbling were definitely allowed. I was clearly a little deranged to tackle such a project! In any case, my work had begun to include found items and manipulated paper forms.Īnother thing is I hate committing myself to anything much really – even things I really want to do! So it was quite a big thing for me to make a public commitment (posted on Twitter & a blog) to produce a small work each day for a year: 365 images one after another on a daily basis. It wouldn’t do me any harm to try something new. Most likely I had done less than 20 bits of collage in my life! Well that sounded like a pretty good reason I suppose. Why would I take this on? In all my years I rarely used collage or even assemblage (I trained as a sculptor). Patti had decided to do a collage a day for a year and already she was producing some great little pieces. For Every Cloud in Langport will be showing a selection from the year’s work from 16th March to 16th April 2016 with a Private View 12noon to 2.30pm Saturday 12 March.įor those who don’t know the project started back in March 2013, on a day when I had visited the Kurt Schwitters show at Tate Britain for the second time, I got caught by the tweets of Canadian artist Patti Agapi. I am pleased to say that “#Collage365 – a year of scissors & glue” is going to be seen by a new audience.
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Iflicks 3 4 0 Download Free Preparation: Free Download iFlicks for Windows. ![]() It is important to consult employees and customers on the planned changes to ensure they understand that there will be a possible change to people's working patterns. They should review how work is currently organised and what flexible options are available that could make this change. "Organisations should begin by carefully considering what they want to achieve. "This will not only help to avoid possible workplace conflict but improve employee relations, help with recruitment and retaining staff and almost certainly improve productivity. According to the Tax Policy Center, nearly 95 percent of the benefit of the preferential rate goes to those making over 200,000 per year and more than three-quarters of the benefit goes to those making over 1 million per year. "In spite of the absence of extended flexible working legislation, Croner recommends that employers should have flexible working policies that do not disadvantage other groups within their workforce," added Smith. ![]() But the Government has now cancelled all plans to extend flexible working. Preferential treatment and favoritism exist when a manager or supervisor clearly demonstrates preferential treatment or additional positive rewards to one person over others that are based on their gender, race, ethnicity, age, sexual preference, or other protected class and do not relate to their performance. According to the Department for Business Innovation & Skills, the Government will publish its response in spring 2012. Plans to extend flexible working to all workers were announced in May 2011 when the government launched a consultation on modern workplaces. While these rights are similar to publicly traded companies, they are different for one significant reason: there are usually far may be fewer voices at the meetings. Rights related to attending and participating in meetings. However it is not good news for the UK's older workers after the Government shelved plans to extend flexible working." Shareholders in private companies have three major rights: Access to information. The Government has done much to improve and modernise UK legislation so that more people can work flexibly to improve their work-life balance. Get Preferential Tax Treatment Like the Rich & Powerful The 12th Hole at Augusta National, home of the Masters (photo licensed through Adobe Stock) How to get preferential tax treatment just like the rich and powerful using IRS section 280A(g) known as the Augusta Rule. Overall, people in the survey who live in Scotland are far less likely to agree that their employer puts the needs of those with children or families first (just 14% agree, or strongly agree) compared with Yorkshire and the Humber, where 32% agree or strongly agree.Ĭarol Smith, senior employment consultant at Croner, said: "There is no doubt that flexible working for people with families is a good thing. The survey shows a large variation of opinion by region. preferential treatment means the customs duty rate and any other charges having equivalent effect and treatment under Article 2.2 that is applicable to an originating good pursuant to this Agreement Sample 1 Sample 2 Sample 3. Croner asked the survey's respondents whether their company puts the needs of employees who have children or families over the rest of the work force: in the 45-54 age group 18% agreed and 9% strongly agreed. Under employment legislation employees who have children have the statutory right to ask to work flexibly, a right that is denied to people who no longer have - or who never had - family commitments. So nonprofit hospitals must be very careful about not favoring one group over another, she said.Īlthough it’s not clear whether the Internal Revenue Service independently monitors these actions, if the IRS or a court were to revoke NYU’s nonprofit status, Rhoades said that based on the revocation, all the benefits listed above that apply to nonprofits would be lost.The finding comes from a survey of 1,175 working adults with colleagues by YouGov for Croner. That could be a big problem, because nonprofit hospitals get significant federal tax breaks and, in return, are supposed to benefit the community.Īn entity’s nonprofit status not only provides these tax breaks, but often also provides other legal privileges (like limited immunity from tort liability and exemption from state employment programs), says Heather Rhoades, a principal at Cummings & Lockwood LLC in West Hartford, Conn. Federal EEO laws do not require an employer to extend preferential treatment to any person or group because of race, color, religion, sex, national origin. According to the Times article, “ for years, NYU’s emergency room in Manhattan has secretly given priority to donors, trustees, politicians, celebrities and their friends and family.” NYU’s hospital had set up a special room (Room 20) to treat those whose lives were in danger, as well as VIPs. A recent article in The New York Times highlighted a policy at New York University Langone hospital, a nonprofit hospital, which gave preference to the wealthy for treatment in its emergency room. ![]() They manage to escape the castle and cut down the beanstalk. They soon realize the golden eggs are too heavy, and decide to steal the golden gosling after witnessing it lay miniature golden eggs. They ride the beanstalk into the clouds and enter the giant's castle, where Humpty reveals to Puss that although the giant died a long time ago, they must still avoid the "Great Terror" who guards the golden eggs. Puss and Kitty's relationship turns romantic and, despite Puss's initial grudge against Humpty, he slowly warms up to him, as the trio steals the beans from Jack and Jill and plants them in the desert. ![]() Humpty eventually convinces Puss to join them in finding the beans and retrieving the golden eggs. Puss tells Kitty his origin story and how he felt betrayed by Humpty, who tricked Puss into committing a bank robbery in his hometown of San Ricardo. She was hired to steal them as well by Humpty Alexander Dumpty, a talking egg and long-estranged childhood friend of Puss from the orphanage where they both were raised. When Puss attempts to steal the beans at their hideout, a female cat named Kitty Softpaws interrupts. He learns that the murderous outlaw couple Jack and Jill have the magic beans he has long sought, which can lead him to a giant's castle known by legend to contain valuable golden goose eggs. A fugitive on the run from the law, Puss is seeking to restore his lost honor. Puss in Boots is a Spanish-speaking, anthropomorphic cat named for his signature pair of boots. A sequel set after the Shrek films, titled Puss in Boots: The Last Wish, was released on December 21, 2022. At the 84th Academy Awards, the film was nominated for Best Animated Feature.Ī television series spin-off from the film titled The Adventures of Puss in Boots premiered on Netflix in January 2015 and concluded in January 2018 after six seasons. Puss in Boots received positive reviews from critics and was a box office success, grossing $555 million on a production budget of $130 million. Puss in Boots had its world premiere on October 16, 2011, aboard the Royal Caribbean International's cruise ship Allure of the Seas, docked in Fort Lauderdale, Florida at the time, and was released in theaters on Octoin 2D, Digital 3D and IMAX 3D formats. This was the first film from DreamWorks Animation to be partly made in India with a Bangalore studio owned by Technicolor, which had mainly worked on TV specials and DVD bonus material, spending six months animating three major scenes in the film. ![]() Guillermo del Toro signed as an executive producer in September 2010. In October 2006, the film was re-slated as a theatrical release due to market conditions and DreamWorks Animation's realization that the Puss character deserved more, with Shrek the Third (2007) director Miller joining the project as the director. Originally titled Puss in Boots: The Story of an Ogre Killer, it was announced as a direct-to-video film to be released in 2008. Accompanied by his friends, Humpty Dumpty (Galifianakis) and Kitty Softpaws (Hayek), Puss is pitted against Jack and Jill (Thornton and Sedaris), two murderous outlaws, for ownership of three legendary magical beans that lead to a great fortune of Golden Eggs from the Great Terror, a gigantic Goose.ĭevelopment began following the release of Shrek 2 in 2004. The film follows the origin story of Puss in Boots (Banderas) on his adventures years before the events of Shrek 2. It stars Antonio Banderas (reprising his voice role as Puss in Boots), alongside Salma Hayek, Zach Galifianakis, Billy Bob Thornton, and Amy Sedaris. The film was directed by Chris Miller with a screenplay by Tom Wheeler from a story by Brian Lynch, Will Davies, and Wheeler, based on the character from Shrek 2 (2004) and inspired from the Puss in Boots fairy tale. It is a spin-off of the Shrek film series and its fifth installment, rather than an adaptation of the fairytale " Puss in Boots". Puss in Boots is a 2011 American computer-animated adventure comedy film produced by DreamWorks Animation and distributed by Paramount Pictures. ![]() Hammer action: piano-style action with fully weighted keys- meant to provide resistance similar to an acoustic piano action and ideal for playing piano or electric piano instrument patches.Hammond B-3 organ) and ideal for playing organ-specific techniques (i.e. Waterfall keys: semi-weighted keys with smoothed and rounded edges- meant for emulating organ keys (i.e.Semi-weighted action: similar to synth action, but with slightly increased resistance- also ideal for playing quickly, but allows for more dynamic playing on velocity-sensitive sound patches due to increased feedback from the keys.Synth action is generally less expensive and weighs less than its weighted key counterpart. Synth action: un-weighted, often spring-loaded- ideal for music that calls for playing quickly, and may be favored by those with no piano or keyboard experience due to less required effort to depress the keys.Each of these action types is designed differently from the next, which, in turn, gives the action a particular "feel" to the player and lends it to an ideal usage. MIDI controllers in this category have keys meant to resemble those of a grand piano, pipe organ, or synthesizer. Two major types of keyboard actions exist: those derived from traditional, European, key-based instruments and non-traditional, contemporary designs that allow for expanded playing possibilities. The action of a keyboard is the internal mechanism by which the keys work in order to move and produce sound, or, in this case, MIDI data. If using a MIDI-capable hardware keyboard as a controller, one will also likely need external power, as most 2010s hardware keyboards rely on external power to function. If using a traditional 5-pin MIDI connector instead of USB, the MIDI keyboard will likely require external power, as 5-pin MIDI connections cannot send the current needed to power a keyboard. While most MIDI keyboards produced in the 2010s are bus-powered, meaning their electrical power is supplied through the same USB connection that transfers MIDI data to the computer, some keyboards have the option of, or even require, using external power to operate. ![]() ![]() MIDI keyboards and MIDI-capable hardware keyboards that are not class compliant require a keyboard-specific software driver to be installed on the computer in order for the keyboard to be recognized. Class compliant means, essentially, " plug and play": upon being plugged in (USB or 5-pin) and powered up, MIDI keyboards that are class compliant should be recognized by any computer. When using a MIDI keyboard with a computer, class compliance must be taken into consideration. MIDI Keyboard → 5-pin MIDI connector OR USB cable (will need a “B” connector, so "USB A to B" or "USB C to B", depending on computer) → computer running a DAW or a standalone VST/AU instrument OR a sound module OR a digital piano, stage piano, or synthesizer with MIDI capability → audio sound device (amplifier and speakers or headphones)Ĭlass compliance and power source Signal flow: MIDI keyboard to audio īelow is an example of possible signal chains for a MIDI keyboard setup, with the goal of producing audio: MIDI keyboards are often utilized by individuals who work with DAWs and software instruments, from hobbyists to professional musicians working in recording studios or concert stages. While many digital and analog hardware keyboards in the aforementioned categories of digital piano, stage piano, and synthesizer can be used as MIDI controllers if they have MIDI capability, they often do not offer the same level of software integration and number of MIDI-mappable controls as a dedicated MIDI keyboard. a digital ( digital piano/ stage piano) or analogue ( synthesizer) hardware instrument with MIDI capability, such as a drum machine.a computer running a digital audio workstation (DAW) or a standalone VST/AU instrument (alternatively, the computer could be used to re-route the MIDI signal to other devices).When used as a MIDI controller, MIDI information on keys or buttons the performer has pressed is sent to a receiving device capable of creating sound through modeling synthesis, sample playback, or an analog hardware instrument. MIDI keyboards lacking an onboard sound module cannot produce sounds themselves, however some models of MIDI keyboards contain both a MIDI controller and sound module, allowing them to operate independently. A MIDI keyboard or controller keyboard is typically a piano-style electronic musical keyboard, often with other buttons, wheels and sliders, used for sending MIDI signals or commands over a USB or MIDI 5-pin cable to other musical devices or computers. The plate is plastic, and features some splashes of yellow that are reminiscent of tire treads and paint spatter. You need to pop off the top plate to gain access. You need to press a button, located at the hinge point, in order to pull them out, and make sure they're locked into place before taking off. It's a folding drone, with four arms, each with a motor and rotor, that sit snugly next to the fuselage when closed. There is a bundle available for $499 that includes a spare battery and a travel case. 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( 2 ème Régiment de Chasseurs Parachutistes (2 e RCP) from 1 August) / ( 4th SAS)Īpproximately 1,950 Norwegian military personnel took part in the Normandy campaign in separate Norwegian units or as part of other Allied units in addition to 45 civilian ships with approximately 1,000 men from Nortraship. 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See also Hastings Overlord: D-Day and the Battle for Normandy Major General Maurice Rose (from 7 August) MacKelvie (until early July)īrigadier General Raymond S. Cota (from 14 August)īrigadier General Jay W. Craig (from 19 August)īrigadier General James E. Primary combat units are listed here unit articles may contain a complete order of battle. This is a list of Allied forces in the Normandy campaign between 6 June and 25 August 1944. American troops on board a LCT, ready to ride across the English Channel to France. Prime, Terce, Sext, and None are prayed during the first, third, sixth, and ninth hours of daylight. If one observes the ancient times, Matins and Lauds are prayed before sunrise. The Divine Office is divided into eight Hours, according as God is to be praised continuously throughout the hours of the day. The master who teaches us in it is the Holy Ghost, the source of all truth it is also the Prophets, Apostles, and Saints of God." Vincent de Paul (1581?-1660) tells us that "the Divine Office is the school of all virtues. ![]() These readings follow the Church's calendar of liturgical seasons and feasts of the Saints. The psalms, the divinely-inspired poetical prayers, principally of King David, have always been the center of the Church's liturgical worship, just as they were at the temple during Old Testament times.īesides the psalms, there are readings from Sacred Scripture, commentaries on Sacred Scripture from the Fathers and Doctors of the Church, and short accounts of the lives of the Saints. The Divine Office itself is made up of the 150 psalms of the Old Testament, so divided throughout the seven days of the week that all the psalms are recited in one week. Pius X and Pope Pius XII, have encouraged the laity to participate in saying the Office as well and for this reason have bestowed rich indulgences upon those of the faithful who do so. From this fact, it is called the Office, the word in this sense coming from the Latin word officium, meaning duty. To give praise and glory to God throughout the hours of the day in the name of the Church, the clergy are placed under the duty of praying it daily. ![]() This same Office is chanted by monks in traditional monasteries and nuns in traditional convents, and is recited by members of lay orders and devout Catholic faithful. ![]() In fact, the Mass is part of the Divine Office, and they are so intertwined in the public liturgy of the Church that one is really incomplete without the other. The most important prayer that the Church offers to Almighty God after the Holy Sacrifice of the Mass is the Officium Divinum, or Divine Office, contained in a liturgical book called the Breviarium Romanum, or Roman Breviary. Traditional Latin Mass, Divine Office & Sacraments The Divine Office TRADITIO Traditional Roman Catholic Internet Site ![]() 21 public meeting, Colorado Insurance Commissioner Michael Conway said insurance companies are increasingly asking homebuilders and homeowners to build more fire-resistant houses, which are more expensive. “Without change, wildfires that destroy structures will increase in both frequency and severity in perpetuity, not just in Boulder County but in nearly every area of Colorado.” “This is the wave of the future”Īlready, insurance companies doing business in some areas of Colorado are requiring changes.ĭuring an Oct. “It may well be that only economic drivers, such as exponentially rising home insurance premiums, may be the only factor able to induce change at the scale necessary in Colorado,” the report stated. ![]() The report also ponders whether local governments have the wherewithal to enforce changes. ![]() “Given how quickly wildland vegetation will rebound from the Marshall fire, the towns may find themselves at the same level of risk within a year or two.”Īs urban growth continues in Colorado, it will take a multi-layered approach to prevent catastrophic damage, including local governments changing building codes and the state and federal government improving wildland management. The towns of Superior and Louisville are not unique in their setting, adjacent to wildland fuels near areas of Chinook-induced rotors,” the report said, referring to high winds. “As climate change continues, more area will burn on average, exposing more structures, destroying more communities and killing more people. And they are not alone in that risk, the report said. It warns that Louisville and Superior - the two Boulder County municipalities hit hardest by the fire - will be at risk for another similar fire within a couple of years. The sheriff’s office hopes to complete interviews in the near future and then do a final review before identifying the origin, she said.Īlong with a strong warning about future wildfires in Colorado, the report delivered disheartening news for people who have not started rebuilding their homes incinerated by the Marshall fire. “We’re trying to tell a story of what happened and hope other fire departments, not just in Colorado, but around the world will know.”Ĭarrie Haverfield, a Boulder County Sheriff’s Office spokeswoman, said the investigation into the wildfire’s cause is ongoing. “We really hope this report is going to be used to educate other communities on how to respond to a large-scale urban wildfire,” Pruitt said. But fault-finding was not the purpose of the report, said Caley Pruitt, a fire prevention and control spokeswoman. 30 fire that burned 6,000 acres and destroyed more than 1,000 homes and businesses. 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